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The key to happiness is reduction of desires

— Bhagavad Gita (via thepurelands)

jpegfantasy:

American Vernacular, Jim Kemp, 1987.

Scanned by @jpegfantasy

artemisdreaming:

Album etchings, Tate

Terry Winters


From the Tate:  "American painter. He studied at the Pratt Institute, New York, where he was awarded his BFA in 1971. Often grouped with postmodern abstractionists, he retained a strong modernist sensibility. Although his first works were tonally restricted monochromes, Winters was always interested in the context surrounding the nature of painting: he conducted research into the origin of pigments and made botanical studies. His first mature works were those that addressed botanical subjects. An early example is Fungus (1982; London, Saatchi Gal.), in which the plants are painted as if they were elements of a loose chart or index. Rather than being a topographical study, the forms are rendered in a simple, almost crude manner, reminiscent of the late paintings of Philip Guston. Combining a hierarchy of forms with a concern for mark-making, Winters created a fusion of painterly tradition with a postmodern practice of repetition and figuration.

In later paintings Winters drew on a range of sources such as architectural renderings, medical photographs and computer graphics, and to fold and layer the subject-matter in such a complex manner that the picture conveyed an abstract imaginary space. In pictures such as Parallel Rendering 2 (1996; London, Tate), Winters developed a painterly language of dense webs and folds that use hidden systems to form a suggested core or interior space.“ Text and Images via: The Tate



slcvisualresources:

Terry Winters, Schema 7; Scheme 8; Scheme 11; Schema 23
(1985-1986, oil, graphite, wax, watercolor, gouache on paper, each 30.5 x 21.6 cm /12 x 8.5 in, Private Collection)

unfetteredeternalnow:

Light Source Direction

Terry Winters  (American, born Brooklyn, New York, 1949)

slcvisualresources:

Terry Winters - Event Horizon
oil on linen - 1991

karmakarmanyc:

Terry Winters, patterns in a chromatic field

“collaborating with circumstance”

Matthew Marks Gallery, New York, 2014

11.5 x 9.25 inches (29.2 x 23.5 cm)

Sold

avisionabstract:

In a very safe place, Terry Winters @whitneymuseum

chasingdyingmoments:

Terry Winters, Bond, 2004

ufopics:

Terry Winters

Graphics Tablet 

noviceartblogger:

Album #5 by Terry Winters, 1988

A picture of a three - ice cream on a wall or I reckon a box with a bunch of doughnuts on it. I was once shown three knives with three different color handles and some trees.

xidkltys:

Terry Winters

Album #2

Etching on Paper

1988

softpyramid:

Terry Winters
Atmospheres, 2014
set of 12 screenprints on lanaquarelle paper
Edition of 20


thunderstruck9:

Terry Winters (American, b. 1949), Good Government, 1984. Oil on linen, 257.2 × 346.1 cm. Whitney Museum of American Art, New York.